Wednesday, 23 January 2019

JORJA SMITH- THE ONE

performance, abstract and conceptual

Representation
Vulnerabiltity- naked bath tub scene- body exposure
Sexuality- not subject to male gaze
high angle- lack of dominance
close-ups
relationships- narrative and performance
Cross-cutting: 
retro 70s vibe- vegas

Beyonce- formation
performance and conceptual
Black empowerment- past historic african american movement
feature- Martin luther king
CCTV- connote being watched by the authority
Location- New orleans- flooding
soouthern state
Postmodernism- modernisation of society..mix and mach- freedom of constructing identity

  • intertextuality..referencing past moments 
  • hypersexual female..ownership of her body and sexuality 
  • mixing fantasy with the reality- Simulacra (hyperreal world- Baudrillard)
  • First person narration- performing and lip syncing to her own song
There's often a relationship between lyrics and visuals..creating nostalgia, romance and nialism - Goodwin 
music videos are just a form of advertisement that are interpreted by the audience
often lyrics match with lyrics but also contradict- Jessie J- money tree
"we see the sounds"
music videos- 
PRESENT-Icons- memorable symbol.s depend on genre.. artists have authorage in order to present their distinct trademark/dresscode
Closeups- promotes the sales of the single 

No comments:

Post a Comment

byline- who's written the article skyline-above the masthead standfirst- first bald text in the article mode of address-changing writ...